Monday, January 30, 2012

The Burgundy Ego Trip: An Over-Oaking Complex




The Burgundy Ego Trip: An Over-Oaking Complex
By Codey Foster

Over the past few months I’ve become ever more aware of the extent of oaking regimens in the Cote-d'or. And to put this gently. I can’t believe it.

As it turns out, it’s not uncommon for Burgundian winemakers to use 100% new oak on their Grand Cru and Premier Cru level wines. Why is this so ridiculous, you ask? Because they’re hypocrites, that’s why.

Simply put, Burgundy is the Birthplace of terroir. Its winemakers live terroir, breathe terroir, and preach terroir. It is in Burgundy that the same winemaker will tediously and individually vinify small and contiguous vineyard plots, often only several meters apart, in order to showcase the individuality of each parcel of land.

To go to such painstaking effort to preserve the purity of each vineyard plot and then allow the resulting wine to be marred by the tannins, phenols, and other wood compounds of new French oak seems sacrilege and contradictory.

What makes even less sense about this equation is that it’s only the very best (highest vineyard classifications) that see new oak. These are the vineyards that have the finest, most distinct terroir, and as a result, it gets covered by oak. I’m curious, where’s the logic there?

Leflaive, for instance, ferments Montrachet in 100% new oak. Now, if I’m going to shell out a small fortune to experience the nuances of Montrachet terroir, there better not be new oak in the way. I know what oak tastes like. I can get liquid lumberyard at retail for ten bucks a bottle—but Montrachet is a one of a kind (there are actually 26 producers, but who’s counting?) and if I’m drinking Montrachet, I sure hope to be tasting Montrachet and not some diluted or distorted fragment of what once was.

Dominique Laurent in fact takes oaking to a new level using 200% new oak on many of his Premier and Grand Crus. Yep 200%. That means oak aging in a new barrel for a period of time (probably 6 months to a year) and then re-racking the stuff into a second new barrel for a second round of oak aging.

I’m not a winemaker and I don’t claim to be but come on man. This is 2012. Obviously there are a lot of factors that contribute to the outcome of over-oaking including tradition, overestimation of the influence of new oak on bottle longevity, and plain personal preference. But I’m wondering if perhaps the most influential is pride.

I’m curious whether the notion that more structured and substantial wines are more apt to maintain grace even with heavy oaking has lead winemakers to use oak treatments purely to prove something about their wines. I can hear it right now. ‘My wines are so [structured, meaty, hearty, substantial] that they can handle 100% new oak.’ To be frank, the notion of a wine being able to ‘handle’ 100% new oak pisses me off in the first place. In my humble opinion, oak is merely an ingredient available to winemakers in order to incorporate particular characteristics to wine—not a yardstick at which to measure its quality. And I’m not denying that great wines can be made using oak, but in Burgundy I believe greatness occurs through transparent winemaking and true vineyard representation. Show off what you’re mama gave you, you know?

To that school of thought, one of my new favorite Burgundy producers Jean Marie Fourrier is a winemaker that seems to have adopted more concern for the representation of his vineyards than the showcase of his winemaking. Fourrier uses no more than 20% new oak in each vintage in order to maintain the individuality of each wine. "Oak is for slow breathing of the wine, not for taste,” Fourrier explains. And I can’t help but agree. The use of French oak for its inherent wine making mechanics is just fine. But when vanillin starts taking over fruit and mineral profile—that’s a different story.

So unless you’ve got a small population of Quercus petraea growing in your vineyard (that’s French Oak, for all of you not up to snuff on your Quercus varietals)—your brand new 60 gallon oak drum has got nothing to do with your terroir.  

Domaine Fourrier Bourgogne Blanc 2008

Domaine Fourrier Gevrey-Chambertin Vielle Vignes  2008

Fourrier Gevrey Chambertin Premier Cru Clos St Jacques Vieilles Vignes 2007

No comments:

Post a Comment