The Romance of Old Wine
By Codey Foster
In a 1998 horizontal tasting of Châteauneuf-du-Pape an
innocent bystander once asked me, ‘what’s the point? Why not enjoy the wines
individually on several different occasions and experience several times the
pleasure?”
I must admit, for a moment I was stumped. If our tasting
group had instead tasted the eight Châteauneuf-du-Papes on eight different
nights we could have certainly appreciated each wine at least a little bit more.
Perhaps on eight different occasions each wine could have been even more
special than all eight at once. But after a little
consideration I soon realized that the answer to his question was actually
quite simple.
As I’ve said in the past, I’m a firm believer that a great
wine can take you somewhere. And on that rainy night in Norwalk Connecticut we
were actually quite far from home—we were in Châteauneuf-du-Pape, 1998, right
around harvest time.
What I’ve just described is what I like to call the romance
of aged wine. Sure, mature wine can take you somewhere. I recognize and admire
its ability to do so. But past the romance I’d like to examine its
transformation in the bottle with detachment from nostalgic baggage. And so,
for the purposes of this commentary I’d like to momentarily forget about the
romance of old wine and focus purely on its development and lifespan.
In fact, I believe that for the sole purpose of improving
overall quality of wine—time actually does very little, and more often than
not, it actually causes detriment. Yeah. I said it. An aging wine is a
deteriorating wine.
I must admit that because of my age I haven’t had a great
deal of time to lay down and mature my own bottles, which I hope only slightly
discredits my accountability to write this article. I’m 22 years old. So it’s
only through generous friends and acquaintances that I’ve been blessed enough
to taste a good amount of mature wine. And with those experiences I’ve
realized one thing--as a wine ages, it is more often that it loses something
rather than gains something. Over extended periods of time a wine lets go. It’s
color fades, the fruit dulls, and everything that once was, is no more.
Nothing is produced as a wine ages in the bottle, it merely
changes form, and I think this is something that us wine lovers often lose
sight of. Now, I’m not saying we should all start drinking Beaujolais Nouveau.
There are certainly some wines that come on to the market just far too young—but
I feel like in general, the wine world overestimates that drinking lifespans of
great wines, and they’re the ones missing out.
One of the wines that really made this idea resonate for me
was a 1988 Chateau Rayas—a wine that drank marvelously in the moment, paired
flawlessly with the meal that accompanied it, and could probably deliver
pleasure for several years to come. But in retrospect, the ’88 Rayas was well
past its prime. And when I say ‘past its prime’ I don’t mean that it wasn’t
drinking well, I think it was, and I derived much pleasure from it. But what I
mean is that I think it might have been even more remarkable ten years earlier.
This is where I take qualm with suggested drinking windows.
When someone like Robert Parker says that the newest vintage of Chateau Lafite
will drink best from 2023-2060, what is he really telling you? Not very much,
that’s for sure.
I’m sure that
within that time span there is a smaller period of time that that particular
wine will be drinking substantially better than it will be for the rest of the
time within the larger window. And I’ve got a feeling it’s not 2050-2060. The
end result? We end up holding onto our wine for longer, and enjoying it less.
That’s poor investing.
I agree that a small part of my argument has to do with
circumstance and personal taste. Sure, you might enjoy you’re Chateau
Haut-Brion at 25 years of maturity, while I more enjoy it at 10 years of
maturity--and it might also have to do with factors like wine service,
temperature, and food pairing. But when push comes to shove, I think you’ll
find that of-age wines out perform ancient ones, and anyone who says
differently is probably just caught up in the ‘romance’.
To approach this from a different angle it might be valuable
to examine what makes an ancient wine great. I’ve spent a lot of time around
other wine lovers and tasted a lot of 'old' wine. And in that time I’ve tasted a
fair amount of what other people called ‘spectacular’ bottles. Don’t get me
wrong. I enjoyed (even loved them) too—but the one thing that every single one
of those ‘spectacular’ bottles has in common is that it was drinking ‘fresh,
vibrant, and as if it were 10-15 years younger’.
Come on now. Do you realize what you just did there? You
held a bottle of wine for a substantial fraction of your lifetime so it could ideally taste young (and you incurred the risk of flaw,
breakage, and theft along the way). Am I missing something here, or are you
just lighting candles and setting the table for a romantic dinner?
The last thing that ticks me off about old wine is
something that I couldn’t fully put my finger on until just recently. I was
even hesitant to include it in this commentary for fear of sounding ungrateful but I think it’s pretty important so I’ve decided to say it
anyway: as a wine ages it departs from what it was originally.
Over the holidays I had the chance—a chance that I am so
incredibly grateful for—to taste two different specimens of 1964 Cheval Blanc.
Both bottles were sound, had been stored well (to the best of my knowledge),
and were opened at the same time, under identical circumstances. And yet they
were two completely different wines.
Cheval Blanc 1964 A
was austere, mineral driven and earthy with hints of mushroom, cedar, and spice.
Cheval 1964 B was rich, full of
ripe red fruit with a background of leather, dry earth, and roasted herbs.
This degree of bottle variation isn’t something that occurs
at the chateau during the winemaking process but something that happens over
time as each wine ages. As time goes on each bottle deviates from the original
‘chateau wine’ so that 40 or 50 years later, there is no such thing as ‘1964
Cheval Blanc’ but only variations and fragments of its original spirit. I think
this has to do with a lot of things including small variations in importing,
storage, and every part of the overall journey. But the greatest, perhaps, is
cork variation. As we all know, not only are corks imperfect objects but the
composition of each and everyone is in fact quite different. Wines breathe
through corks and when two wines breath through two different corks for 40
years—well they end up becoming two different wines. Even identical twins, two
offspring with the same DNA grow up to be two different people—well it’s the
same story with wine.
So sure, hold onto your over-age wines and drink them on
special occasions—I know I will--but do so with the full understanding that the
value is often more sentimental than quality-minded. Logically speaking, you’re much
better off going out and buying a wine that is drinking well rather than trying
to incubate it yourself. Wines die. But don’t be too disappointed because that
magnum of '36 Beaucastel that you procured off of Christies last year is going to
make a fabulous doorstop.
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